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    <loc>https://www.radamschwartz.com/education-page</loc>
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      <image:title>Education Page - EDU</image:title>
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  <url>
    <loc>https://www.radamschwartz.com/biography-page</loc>
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    <lastmod>2019-05-07</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cbe429b0b77bd576cb00cf9/1556208057481-Q32TJN04KWT72KUL51KM/About.jpg</image:loc>
      <image:title>Biography Page - Radam Schwartz</image:title>
      <image:caption>Hammond B3 Organist and Jazz pianist, has built his reputation over the last 35 years playing with such great musicians as Arthur and Red Prysock, Eddie Lockjaw Davis, Al Hibler, David Fathead Newman, Russell Malone, Cecil Brooks III and Jimmy Ford. He continues to make music history today playing with renowned artists, Bill Saxton, Iron City, The Spirit of Life Ensemble and many others. Radam’s prolific career has led to many successful recordings. His recording, Organized (Muse Records 1995), was mentioned in the B3 Bible as one of the essential organ records of all time. He also has been featured on Cecil Brooks III and the CBIII band, For Those Who Love to Groove (was # 4 on the Jazz Charts-Savant Records); Our Day Will Come (Blue Lady Records) with the Tommy Gryce Trio; The Lenny Roberts Quartet, Keepin’ it on the D.L.; Jazz at Crossroads; and Russell Gunn’s Mood Swings (was # 1 on the Jazz Charts-HighNote Records), Brooklyn Soul Organization (M&amp;N Records). In all, he has been on over 40 recordings as a sideman, 7 as a leader, and 2 as a co-leader. His most recent endeavor on Arabesque Records is entitled 2 Sides of the Organ Comboand features Radam with 2 ensembles, The Smooth Side with Bryan Carrott on vibes, Mike Lee on tenor saxophone and Andrew Atkinson on drums, and the Groove Side with Marcus Printup on trumpet, Anthony Ware on alto saxophone, Charlie Sigler on guitar, and Andrew Atkinson on drums. In 2005, Radam’s recording Conspiracy for Positivity(Blue Ark Records) occupied a spot on the National Jazz Charts for 14 straight weeks, climbing as high as number 15. Magic Tales, the second recording with his group, was released on Arabesque Recordings in 2007,and got as high as #11 on the charts and stayed on the charts also for 14 weeks( this recording was also given an award by as one of the top 10 Sesac Jazz records 0f 2007-08). In March 2009, Savant Records released Blues Citizens by Radam and an all-star group of Bruce Williams, Bill Saxton, Eric Johnson and Cecil Brooks III, which got the #9 position on the Jazz Charts (also given a Sesac Award). Some of the artists (previously not mentioned) that Radam has recorded with are, Sonny Fortune, Rodney Jones, Ed Cherry, Bruce Williams, Bill Saxton, Frank Lacy, Don Braden, Gene Ghee, Jeff Hackworth, Clifford Adams, Jay Hogard, Irwin Hall, Julian Lee, James Stewart, Brad Leali, Jerome Jennings, Carrie Jackson, Madame Pat Tandy, Ty Stephens. Radam had hosted a Jam Session from 1986 to 20016, beginning at the famous Peppermint Lounge in Orange, New Jersey, and in 1997 when the Mint closed its doors, moving to the Crossroads in Garwood, where he played every Tuesday for 19 years, making this the longest running session in New Jersey history. Over the years, famous musicians like Etta Jones, Rhoda Scott, Jimmy McGriff, Roy Ayers, Woody Shaw, Bobby Watson, and George Benson all enjoyed playing at the Jam Sessions. He is a regular at Showmans in Harlem, NY (one of the few remaining organ clubs). Radam also has been a jazz educator for many years, with several generations of young musicians being mentored by him. He served as music director at the Jazz Institute of New Jersey for close to 20 years, also served as an artist-in-residence at Middlesex County Arts High School, taught at the Jazz Academy in Red Bank, NJ, Jazz Connections in Montclair NJ. Jazz House Kids, and is the director of the Rutgers Newark Mosaic Jazz Ensemble.</image:caption>
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      <image:title>Biography Page</image:title>
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    <loc>https://www.radamschwartz.com/jazz-theory</loc>
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    <lastmod>2025-01-15</lastmod>
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      <image:title>Jazz Historical Theory - Jazz Historical Theory</image:title>
      <image:caption>Blues Analysis Article by Radam Schwartz. Edited by Anthony Ware. Radam has been interested in examining jazz from theoretical and historical perspectives. He received a Masters Degree at the Rutgers Newark Jazz Research Program where he wrote his thesis on the examination of the Jazz Organ Scene. The thesis has been subsequently used for research by many jazz researchers. It examines the ignored history of jazz organ, the theoretical differences and similarities between that sub genre and other categories of jazz, and examines the reasons for the lack historical material on the subject and the absence of jazz organ for the performance branch of jazz academia. The last part of his thesis dealt with re-thinking the theoretical analysis of this music and examines jazz on the basis of blues being the core of the music's actual theoretical basis. Radam has labeled this concept "Blues Analysis". He has pursued "Jazz Organ History” and "Blues Analysis" and is open for lectures on both of these topics. Click the CONTACT button below to get in touch with Radam.</image:caption>
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    <lastmod>2024-06-13</lastmod>
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      <image:title>Home - About Radam</image:title>
      <image:caption>Hammond B3 Organist and Jazz pianist, has built his reputation over the last 30 years playing with such great artists as Arthur and Red Prysock, Eddie Lockjaw Davis, Al Hibler, David Fathead Newman, Russell Malone, Cecil Brooks III and Jimmy Ford. He has been featured on over 40 albums as a sideman and has recorded 9 albums as a leader. His latest release 2 Sides of the Organ Combo features an all-star cast and highlights the “Smooth” and the “Groove” sides of the classic Hammond B-3 Organ. Learn more ➝</image:caption>
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      <image:title>Home - Education Outreach</image:title>
      <image:caption>Radam has been a leader in jazz education for over three decades. His students have toured the world with top artists throughout musical genres, from jazz to hip-hop to rock and soul. He served as Musical Director at the Jazz Institute of New Jersey for close to 20 years producing several generations of high achieving college bound professionals. He has served as Artist-In-Residence at Middlesex County Arts High School, the Jazz Academy in Red Bank, NJ and Jazz Connections in Montclair NJ. He has been teaching at the Jazz House Kids program (run by Melissa Walker and Christian McBride) for over 10 years, and is the director of the Rutgers Newark Mosaic Jazz Ensemble. Learn more ➝</image:caption>
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      <image:caption>2 Sides of the Organ Combo is available now on all streaming platforms. Click the link below to download or stream on Apple Music, Spotify, or Google Play. Learn more ➝</image:caption>
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      <image:title>Home - Jazz Historical Theory</image:title>
      <image:caption>Radam has been interested in examining jazz from theoretical and historical perspectives, especially the under-represented history of the Organ Jazz scene. He coined the term “Blues Analysis” to define and examine the deep rooted theoretical connection between Jazz and The Blues. Learn more ➝</image:caption>
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